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The story is very simple and sensitive with Urvashi as Vanaja, LIC agent raising her daughter Ashwathi alias Achu (Meera Jasmine) single handedly. Ashwathi completes her Diploma in Civil Engg and joins a construction company. Vanaja and Ashwathi are more like friends and mostly people mistake them as sisters. They have no secrets between them but Vanaja has one thing to hide from Ashwathy, who her father is. Ashwathy understands this and avoids that question all the way. She falls for an advocate Immanuel Jose a.k.a Ijo (Sunil) and Vanaja refuses this proposal saying that he too is an orphan like them. Infuriated Ashwathy asks for her father and leaves home leading to a melodramatic climax. I really had tears in that moving climax scene.
The soul of the movie is the intense relationship between a mother and her daughter and Sathyan Anthikaud had chosen proper shoulders to carry those roles. Urvashi is competent with the maturity of a mother while Meera Jasmine essays the vulnerability of a teen ager to the perfection. The script and dialogues of this film is written by Ranjan Pramod and has story by Rajesh Jayaram. There are a couple of masterstrokes in the script that compel attention and applause. The use of a Muslim joint family headed by the matriarch Sukumari to underscore the loneliness of the mother and daughter is one example.Dialogues are simple and very natural. No heavy-duty dialogues even in the climax, where most of the dialogue writers tend to go overboard. In fact this is a trademark in all Sathyan's movies, where there is a minimal dialogue in the climax.
The movie is interlaced with subtle humour and moves in a completely realistic manner. The comedy is drawn from the incidents from day-to-day life, that strikes a chord with the audiences. The funniest sequences are those when Vanaja learns English and with the KPAC Lalitha, as marriage broker looking a groom for Urvashi.
On-screen chemistry between Meera Jasmine and Urvashi is terrific. In the movie, Urvashi says we are not mother and daughter but friends, and it is completely translated on the screen. It is really a welcoming change to see Urvashi in a author backed role rather than in sundry comedy roles in Tamil & Telugu. Her performance in the climax will surely bring tears, atleast I had tears in my eyes and came out with a heavy heart. All the scenes where she tries to pacify Meera Jasmine and when she realises that she won't relent hereafter, her moves to vent her feelings of motherhood is simply moving. She was electric in the happy scenes between her and Meera.
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Performance wise it belongs to Urvashi & Meera Jasmine. Meera Jasmine looks refreshing after losing extra flabs and is slim and fresh. Since her costumes are in sync with the character, her wardrobe is made of Jeans & Kurthas, simple crisp cotton Churidars and all homely dresses. She is slowly becoming a restrained fire to watch on screen shimmering with perfect expressions and nuances, that is a delight. I "jollued" a lot even the way she cried. Hope this film marks the third round of award felicitations for Meera. Anyone except Meera Jasmine, had done this role would have got overshadowed by Urvashi. I am looking forward to watch Meera Jasmine more in Malayalam movies only where she is being offered to carry the movies on her shoulders.
Coming to comedy department, as usual in Sathyan's movies, there is KPAC Lalitha in a funny marriage broker role, along with a host of comedians like Oduvil Unni Krishnan, Sukumari, Inncoent, Sreekumar. But among them, it is KPAC Lalitha who steals the show.
Another person besides Urvashi & Meera Jasmine who deserves a mention is the Sunil, who is paired romantically opposite to Meera Jasmine. Sunil who had debuted with the highly successful "4 the People", got overshadowed by Bharat. He proved to be the dark horse with successful movies like "Annorikal" and "Achuvinte Amma". Highly ordinary the looks, with tan colour and resembling Madhavan at times, Sunil underplays the role with whatever he had been allowed to do. At times when the youngsters are desperate to prove themselves with fight and dance routines, Sunil had chosen the non-glamorous role and creates an impact despite the fact that Urvashi and Meera had dominating the movie.
Camera by Azhagappan is of top class. With the natural lighting, he captures the beauty of Kerala City beautifully. He had shown Meera Jasmine in a beautiful light and soft filters, presenting her like a dream. His cinematography even though nice, he didn’t let this distract the viewers from the main story.
Even though this movie doesn’t have a scope for music, Illayaraja compensates it with his soul-rich background score. The songs "Snehatthin aazham…" and "Endhu paranjnalum nee…" are melodious while Meera's introduction song "Thamara kuruvikku…" is a fast number. Among the background scores the scenes that deserve special mention are (1) during the scene when Sunil and Meera were in spat, (2) the scene where Sunil takes Meera & Urvashi to meet his parents, (3) when Meera comes back on her Birthday and (4) Background score in the flashback sequences. Especially the flashback sequence score will really wrench your heart.
However certain minus points you feel is that the screenplay drags second half especially after Meera leaves the home. Also you can't stop feeling that Sukumari, Oduvil Unni Krishnan and Innocent have been wasted in smaller roles that could have been done by any junior artiste.
No matter what, this is really a good offering from Sathyan's stable of family movies. Like his previous movies, he didn’t fail to touch your heart. I recommend it to all whole heartedly even for those who believe cinema is for entertainment only. Achuvinte Amma is not only entertaining, it will stay in your memories as one of the good movies you had ever seen. Youngsters can go it for Meera Jasmine while rediscovering the dynamic and deadly talent - Urvashi.
Bottom-line: A must watch!!!